When publishing, it's easy to underestimate the extensive legwork required to get people to notice you. It's infuriating, because with 6 billion people on this planet everyone has an audience even if they're a piece of shit.
The last time I marketed my stuff I was at Comic Con back in 2014. I had a thousand cardstock mailers with a download link to my book via a Box.com link that I set up on my own. Everything was so touch and go, like having sex for the first time. Of the thousand, I was able to pass out almost 500. (Not bad for a first effort.) There were SDCC volunteers catching on to my schemes toward the end. I had to evade them like a cold war spy in Russia.
One thing they don't tell you is how to deal with rejection. I still remember to this day the feeling of passing out that first card, and someone declining, as if they wanted extra shit to cart around in an ever expanding grab-bag of toys, fliers, comic books, and so on. But still you take it personally. Today I kind of laugh about it, but back then I wanted to shrivel up and die. But to anyone passing out fliers just remember quantity is key. I estimated a 2-3% response rate (looking at the download metrics on Box). Of the 500 or so I passed out I got about 40 unique downloads. (A whopping eight percent!)
Marketing techniques have evolved over time, with Google AdSense and Facebook data mining to the infinitesimal, making advertisement the easiest in decades. The caveat to this is the saturation of ads. Just like Journalism, its easy for good content to get drowned out by every Tom, Dick, and Harry with a blog. (And, yes, the irony is not lost on me.) So you may have noticed two pages appear on my blog: two personal thank you notes to prospective buyers of my two books (one available, the other's sale date TBA).
It feels apropos to do this. Sony never thanked me for buying their bluray players or Apple, their phones. If you click on to these pages, my sentiment is sincere. I know that I can be an anti-social, cynical asshole sometimes. But I care about the people who care about good art. They are the human beings that need to keep breeding. These two projects, and all my future ones are my best effort at contributing to the great body of Western Literature. (Though I'm not above writing pulp drabbles time to time.)
So, like all authors, I begin my journey, my trek into deep space, shouting into the void for alien life. To bridge cultures and opinions with tales on the human condition. I'll need help. I am many things: Husband, Father, Christian, Author, IT Consultant, Avid Reader, Player of Beep-Boops, and Anxiety Medicated Agoraphobic. But I'm not good at being all at once.
It takes a village to publish a book. And I'm thankful to everyone who fights along side me.
Working and Writing for the Man. Full-Time System Admin, Part-Time Speculative Fantasy Author.
Saturday, January 20, 2018
Saturday, November 11, 2017
No Love For Wizardry
I hate Harry Potter because it’s a sham.
Like most children back in the late nineties, I was introduced to Harry Potter and the Philosopher's Stone.
It was immensely popular, and my grandmother was adamant about identifying a
book that would get her grandchildren to read, pushing it on to us desperate
and concerted. Truth be told, I was not an avid reader until I was out of
college. Before all that, reading was a chore and something you did in school,
not when you got home. I spent most of my time outside, turning rocks into
spaceships and sticks into swords. Books never pulled me in like they do now. I
was much more visual then. Converting and abstracting text into visual stimulus
was only a recent development.
My vehement distaste for Harry Potter is inexplicable. Or was, until
very recently.
I’ve never liked people pushing me into things, including hobbies. I’ve
never liked musicals. (They want you to sing along, see?) I’ve never liked
sports. (Competitive teamwork.) I’ve never liked fads. (Vapid, short-lived,
things.) I’ve always been an insular, and supremely unlovable person. The idea
that my cousin “Bucky,” the poster child of self-absorbed intellect, read it
faster than my brother and I didn’t bother me either. What bothered me most was
that I was expected to like it.
No. I don’t like Harry Potter because it’s too real to me. And I am not
satisfied with the narrative that it pushes. (It’s about a young boy that
discovers his parents were wizards, that he is a wizard, that they left him a
fortune to allow him to board in an exclusive boarding school. His subsequent adventures
are formulaic, and I wonder why his professors didn’t have a yearly meeting
about the shit he was going to get into next.)
The origins of Harry Potter being raised by abusive relatives mirrors
my experiences in subtle and substantive ways. While I have never been forced
to live in a confined space underneath the stairs, I have a potently vivid
memory of breaking my Dad’s VCR when I was maybe between 6-8 years old. I was
so afraid that he would hit me that I told him from afar and hid in his
orchard. And while he shouted vainly into the winds for me to come out, I
stayed and waited. It eventually got dark but I was still hiding. I got into my
Dad’s red Toyota pickup and slept in the cab overnight, and snuck into the
house in the morning.
Another experience: We were at a local, independent grocer, one that I
have scores of fond memories at their amazing deli and all the strange, foreign
things they would buy and display at the front of their isles—food from
Germany, Britain, Italy, etc. My brother had a quart of pasta salad that he was
entrusted with, only to drop it on accident. My father flew into a rage and
pushed him to the ground calling him “stupid” while he cried. There were people
around us, aghast. Someone scolded my father, to which he replied, “mind your
own business,” and we hurried out of there like cockroaches exposed to a
bright, shining light.
And while, only by the Grace of God, I have forgiven my father of these
things over the years of dealing with this—and
there are many other incidents—I have no love for a series that
depicts acts of abuse and mulls them over with discretionary wealth and
elitism. I think my disproportionate response stems from my deep seated belief
that the fairy-tale narrative archetype is a load of bullshit. Abuse never
leaves you, it clings to you and stays with you. A moment of 1-5 minutes
imprints upon your life a brand of shame and anger that never leaves, though
over time the scar fades. I reject the Harry Potter narrative because in real
life people that suffer that kind of emotional trauma, in many cases, never
escape. And even if they do, they limp away and heal lame.
I recognize that now as much as I did back then. I stopped reading
after the first book, not because I refused to continue reading the entirety of
the series, but because I couldn’t accept its fantasy that seemed to ridicule
my own suffering.
Monday, November 6, 2017
Fireside Eggnog Chats
I've started reading my bible again.
I'm reminded every once in a while that what I believe is technically crazy talk. Imagine a belief system that conquered the world, a singular faith founded on the teachings of a homeless Jew in Palestine roughly two thousand years ago. Now, imagine someone who is all in on that particular reality, and trying to make sense of it in the modern world. That's me.
Occasionally reading my bible brings new perspective to my life. Seeing through the eyes of a memoir, or a repetitive series of coined sayings recovered from oral tradition and framed to proclaim a gospel to a specific group of people. It's refreshing to go into it in what I call "easy difficulty," wherein the context and historicity of the scriptures gets completely thrown out, in favor of a layman's reading. I learn new things, like Jesus's cattiness or the urgency of those asking him for help. Jesus takes things slow, ramps up to the climax. It reminds me that our fears and worry are never as severe as they seem. Everything boils at 210 degrees, but our bullshit is lukewarm.
I've begun the process of putting together a second book in the interim, an anthology of works. I started writing them shortly after finishing my second novel draft, something to keep me active and fresh for when I got back my notes. The result was a meditation on Americana.What is the "frontier?" How has its disappearance changed the meaning of the "American Dream?" Is there even a dream worth pursuing anymore? Was there ever a "dream" to begin with? The novella includes 4 shorts and an epilogue. Currently, approximately, 82 pages. Included in the backmatter are a few shorts that I've written in the recent past that I will be revisiting. They all seem to originate on the eve of Trump's election, the catalyst of this whole period. I feel pretty good about the material and I'm hoping for a release early next year. Stay tuned...
That is how life is right now. It's tenuous, day-by-day, which is not all so bad considered the alternative. I like the flexibility and freedom to walk away from a project to bang out another. Its refreshing and constructive. I'll never be the person that "labors" over their masterpiece for a decade. We change too quickly. Our states of mind are too ephemeral to compose a consistent narrative. While the first draft is composed over a two-four year period, the second draft (the most important, also) is where the narrative coalesces. The hard days are coming, but I always find a way to get through them.
For Halloween I dressed up as our company mascot for a costume contest. Even though the prize was $100 and it cost me $200 to make, the admiration of my co-workers was payment enough. That's a bit of an overstatement, actually. But it was one of those moments in my life where I wanted to commit to a vision and see it through. Our swan song of present culture is one of defeat and taking the path of least resistance. In a way, the reality that my costume took third wasn't crushing at all. It was exhilarating that 11 people thought mine the one superior. (Not many actually vote--the winner had 14 votes.)
I'm reminded every once in a while that what I believe is technically crazy talk. Imagine a belief system that conquered the world, a singular faith founded on the teachings of a homeless Jew in Palestine roughly two thousand years ago. Now, imagine someone who is all in on that particular reality, and trying to make sense of it in the modern world. That's me.
Occasionally reading my bible brings new perspective to my life. Seeing through the eyes of a memoir, or a repetitive series of coined sayings recovered from oral tradition and framed to proclaim a gospel to a specific group of people. It's refreshing to go into it in what I call "easy difficulty," wherein the context and historicity of the scriptures gets completely thrown out, in favor of a layman's reading. I learn new things, like Jesus's cattiness or the urgency of those asking him for help. Jesus takes things slow, ramps up to the climax. It reminds me that our fears and worry are never as severe as they seem. Everything boils at 210 degrees, but our bullshit is lukewarm.
I've begun the process of putting together a second book in the interim, an anthology of works. I started writing them shortly after finishing my second novel draft, something to keep me active and fresh for when I got back my notes. The result was a meditation on Americana.What is the "frontier?" How has its disappearance changed the meaning of the "American Dream?" Is there even a dream worth pursuing anymore? Was there ever a "dream" to begin with? The novella includes 4 shorts and an epilogue. Currently, approximately, 82 pages. Included in the backmatter are a few shorts that I've written in the recent past that I will be revisiting. They all seem to originate on the eve of Trump's election, the catalyst of this whole period. I feel pretty good about the material and I'm hoping for a release early next year. Stay tuned...
That is how life is right now. It's tenuous, day-by-day, which is not all so bad considered the alternative. I like the flexibility and freedom to walk away from a project to bang out another. Its refreshing and constructive. I'll never be the person that "labors" over their masterpiece for a decade. We change too quickly. Our states of mind are too ephemeral to compose a consistent narrative. While the first draft is composed over a two-four year period, the second draft (the most important, also) is where the narrative coalesces. The hard days are coming, but I always find a way to get through them.
For Halloween I dressed up as our company mascot for a costume contest. Even though the prize was $100 and it cost me $200 to make, the admiration of my co-workers was payment enough. That's a bit of an overstatement, actually. But it was one of those moments in my life where I wanted to commit to a vision and see it through. Our swan song of present culture is one of defeat and taking the path of least resistance. In a way, the reality that my costume took third wasn't crushing at all. It was exhilarating that 11 people thought mine the one superior. (Not many actually vote--the winner had 14 votes.)
The "CIO Switch and Receiver Jr." |
Better luck next year.
Tuesday, September 19, 2017
Gum Chewing Racism
Chewing gum, occasionally I bite my lip on accident, feel my
teeth sink in just a little bit. It hurts a lot but after a while the saliva in
my mouth coagulates the ruptured skin and I’m back in business. This has been
happening a lot lately, chewing gum. It helps me forget and relax, kicking in
my monkey-amygdala brain.
I keep getting the best ideas in the worst possible places.
When I try to remember them I feel like I’m wandering in a fog and trying to
make out shapeless blobs of cohesive thought. I had an Idea about racism,
seeing that that is the flavor of the week. Since Trump took office I’ve only
been able to conceive of myself as an oppressor even though I’ve never seen
someone as being lesser than myself. (A note. I have plenty of racist thoughts
in my head that make me consider Jesus’s sermon on the mount, wherein he
suggests that the act of being angry is equivalent to murder. Does that mean
that because I’ve had a racist thought that I’ve also considered someone to be
sub-human?)
The quintessential quality of a “white person”—at least what
I assume to be, in the context of a American everyman raised in the “good part”
of town with minimal hardship—is a very human one. The preservation of
property. It’s easy to look at material possessions as a right, when in fact
the ownership of property is merely by chance. Unless I suddenly won the lottery,
the acquisitions of life, liberty, and happiness is a slow going affair. So
slow, in fact, that by the end of it all the hard work and chance luck just
blurs together into one concerted effort. I find myself harboring bitterness
toward my neighbors as if I’ve built up a life for myself in a one bedroom
apartment. In reality I’m paying a slumlord a pound of flesh while being angry
at my neighbors for littering. I don’t own the streets, or the hedges, or the
sidewalks. But I’m under the pretense that I own the space that I occupy. Maybe
this is spurred on by the concept of social contract?
Social Contract, as I conceive of it, distilled to its essence is about fairness. (This is the zeitgeist of the 21st century, correct? That meaning is fluid and taylor-fit?) And what we perceive as "unfair" is in violation of the social contract. My psychiatrist tells me that this isn't a realistic way to live, and I agree. Holding people accountable to a contract they never signed with me is tantamount to giving someone a roofie and sociologically fucking them.
In other, less-introspective, news, I got notes back from Desmond on my second book. Reading them has become a bit of a past-time for me, a one man roast on my labors which, I find extremely funny. It's soothing, also, to know that your work is taken less seriously by others than yourself. It's a safety net, placed under your ego, so that when it all falls apart you have a place to land. Like most first drafts, everything is raw and disconnected. Ideas are inconsistently spread across the canvass and need to be thinned out to an even grade. I've done this before with my first book and it's a very frustrating process, though worth wile. And whats interesting is that I've tried to write a second book in between drafts, a shorter novella that I'm really happy with, a tangential work that helps me vent creative frustration. I'm finishing it this weekend and giving it out for another round of notes.
I'm really bad at ending my blogs.
So that's it.
Go back to work.
Social Contract, as I conceive of it, distilled to its essence is about fairness. (This is the zeitgeist of the 21st century, correct? That meaning is fluid and taylor-fit?) And what we perceive as "unfair" is in violation of the social contract. My psychiatrist tells me that this isn't a realistic way to live, and I agree. Holding people accountable to a contract they never signed with me is tantamount to giving someone a roofie and sociologically fucking them.
In other, less-introspective, news, I got notes back from Desmond on my second book. Reading them has become a bit of a past-time for me, a one man roast on my labors which, I find extremely funny. It's soothing, also, to know that your work is taken less seriously by others than yourself. It's a safety net, placed under your ego, so that when it all falls apart you have a place to land. Like most first drafts, everything is raw and disconnected. Ideas are inconsistently spread across the canvass and need to be thinned out to an even grade. I've done this before with my first book and it's a very frustrating process, though worth wile. And whats interesting is that I've tried to write a second book in between drafts, a shorter novella that I'm really happy with, a tangential work that helps me vent creative frustration. I'm finishing it this weekend and giving it out for another round of notes.
I'm really bad at ending my blogs.
So that's it.
Go back to work.
Friday, September 1, 2017
A Concise Summary of My Recent Wit
This is not one of those blogs where I write something once or twice a week. It was... but look where that got me: depressed and stressed out. Today, I'm sitting in a dark room, lit only by a solitary LED desklamp in the far corner of the room, casting soft, unobtrusive light across the floor. Soft shapes decorate the room, stains of darkness on creme paint. The desk is cluttered, even after a thorough cleaning. Piles of to-dos and unfinished books vie for my affections, while a monitor stands erect, in defiance of taste, acting as a mirror.
I don't play video games anymore. Or I play them, but in secret, like a fat man binging in shame, squeezed into a 1999 Honda Accord, with mounds of cheese and animal flesh scattering his torso, under the tangerine hue of the dwindling twilight. Little by little do I understand the vampire-esque habits of my parents who dealt with me in the daylight only to flourish in the night. This is amusing to me, because I used to be a "night person," staying up late at night, watching Adult Swim and checking my Facebook for unexpected contact. Fleeting moments of relief in the endless screams.
I've been looking at my progress over the past few months and I am satisfied where I'm at. The balance struck between obligation and dedication is at the apex straddling commitment and poised to fall one way or the other. But with finesse and fortitude the armistice prevails. While I have been awaiting feedback from my second book, I've started a novella anthology featuring the primitive objects of my worship as a younger man: the tall tale men of Americana. Pacos Bill, John Henry, Paul Bunyan, and Johnny Appleseed are on the move, acting independently of one another in a collage of tales. It's actually not a bad start, and I've felt very satisfied with the end result. While not being as heady as my previous works, it is probably the most human work I've attempted, hoping to evoke the struggles of the American everyman, post-frontier.
My good friend, and fellow man-child, Desmond Write was able to return, at long last, the notes I sought from him for the aforementioned "second book." And while the chafing, yet witty, scathing, yet instructive, remarks of my contemporary be, I've been able to get a good laugh out of my nascent work. Too many writers think of their tear stained lyric as the poetry of the Gods, yet can't see through their smeared eye liner how shit their prose is. Desmond is the kind of friend that shits on your book, then uses the excrement to stencil in a greater, more profound, foundation. Lesson learned, and always remember: a derisive commentary deciphers opportunity, but a flattering rhyme incites pride.
That's it.
I don't play video games anymore. Or I play them, but in secret, like a fat man binging in shame, squeezed into a 1999 Honda Accord, with mounds of cheese and animal flesh scattering his torso, under the tangerine hue of the dwindling twilight. Little by little do I understand the vampire-esque habits of my parents who dealt with me in the daylight only to flourish in the night. This is amusing to me, because I used to be a "night person," staying up late at night, watching Adult Swim and checking my Facebook for unexpected contact. Fleeting moments of relief in the endless screams.
I've been looking at my progress over the past few months and I am satisfied where I'm at. The balance struck between obligation and dedication is at the apex straddling commitment and poised to fall one way or the other. But with finesse and fortitude the armistice prevails. While I have been awaiting feedback from my second book, I've started a novella anthology featuring the primitive objects of my worship as a younger man: the tall tale men of Americana. Pacos Bill, John Henry, Paul Bunyan, and Johnny Appleseed are on the move, acting independently of one another in a collage of tales. It's actually not a bad start, and I've felt very satisfied with the end result. While not being as heady as my previous works, it is probably the most human work I've attempted, hoping to evoke the struggles of the American everyman, post-frontier.
My good friend, and fellow man-child, Desmond Write was able to return, at long last, the notes I sought from him for the aforementioned "second book." And while the chafing, yet witty, scathing, yet instructive, remarks of my contemporary be, I've been able to get a good laugh out of my nascent work. Too many writers think of their tear stained lyric as the poetry of the Gods, yet can't see through their smeared eye liner how shit their prose is. Desmond is the kind of friend that shits on your book, then uses the excrement to stencil in a greater, more profound, foundation. Lesson learned, and always remember: a derisive commentary deciphers opportunity, but a flattering rhyme incites pride.
That's it.
Saturday, June 24, 2017
It's Not About The Lemons
I had this very bizzare, very “Santa Barbara” experience at the farmers
market today.
I was picking up the essentials (lettuce), as I am wont
to do every Saturday morning. Usually there is a vendor selling Meyer lemons
(great for salad dressing), so I found one quickly and went to pick out four of
them (50 cents each) and fumbled with three of them, attempting to reach a
fourth. This woman, who came after me, swooped in and started grabbing the ones
I was going for. I made a comment that I was grabbing at least one more and she
looked at me unapologetically, holding her $5 cup of coffee from the Handlebar,
and just said, “sorry.” (What she meant to say was, “Fuck you and your
lemons!”)
A phrase that I own and coin often is something akin
to, “I’m a socialist. But it would never work in America.” There are variations
of the same phrase that I often rehearse but the essence is there. I say this to
my chagrin because I have been influenced in my life by events that make me
pine for fairness. (Getting beat up at school, being viciously made fun of, and
raised up under unremarkable circumstances. Also, my own parents have never
even read my first book.) It has made me characteristically cutthroat and
exploitative and I often wonder if there is an alternate timeline where things
were better. At its core I’ve always felt enamored with a political and social
mindset where people shared their resources to make the world a better place.
Facebook, among other outlets, sings the same familiar
tune. (And when played backwards, you hear the Satanic inverse.) But I don’t
think people practice what they preach. I’m a god damned positivist and I don’t
practice what I preach. The socialist voice in America isn’t the same pitch and
timbre of the places where this actually works, and I think for the most
obvious reasons.
American nationalism peaked at the conclusion of the
War of 1812. Subsequent spikes are the work of foreign wars and social
upheaval, intermittent incidents in a long national history of eulogized
selfishness. Even a Christian cult emerged, Mormonism, which nationalized
religion and mythologized America’s origins, placing the United States at the origin
of the universe. (The opposite was the Jehovah’s Witnesses, a Christian cult
emerging at the height of political corruption in the United States, which
eschewed all appearances of nationalism.) At both of these peaks and valleys,
American expression remained steady in its love of self-interested wealth. Our
constitution is rooted in the Pursuit of Happiness, appended by the inferred,
“And if you infringe upon mine, why I oughta’…”
The contrast that we see in Europe, the social milieu
that makes socialism so viable, is their roots in tribalism that goes back
thousands of years. There has always been infighting between states, but
uncanny internal bonds. And while there has always been a sectarian conflict
between ethnic groups within states, once these states matured past the
frustrations of religious and class warfare, there has been a reasonably steady
peace. War has also hardened these bonds on kinship. For instance, Russia has
repeatedly attempted to invade Finland over the past thousand years, with the
Fins rebuffing many, if not all of the assaults. The shadows of Empire have
also strengthened national resolve, in the case of Norway being a property of
Denmark for nearly 500 years. (They celebrate their “independence” every
Seventeenth of May.)
In the United States where we are so blessed with an
abundance of natural resources, acquired over the centuries through many shrewd
dealings, our sordid gains have likely made us complacent. Combined with the
mentality of Frontierism, prosperity through expansion and entrepreneurship, we
have inherited a mindset from our forebears that is untenable in our exhausted
real estate. We expect wealth and receive it from the least of our peers:
migrant workers, wage slaves, immigrants, etc. Even myself, a proponent of
ensuring we invest in our citizens through community programs and education, I
have everything to gain from an economy that favors my willingness to exploit
the labors of others.
All this came to a head, flashed before my mind, as I sarcastically,
non-confrontationally, replied, “Wow, this IS Trump’s America.” It is very
likely that I will not see this woman again, but given the demographics of
Santa Barbara, she is statistically likely to be a Democrat, a social
progressive, anti-corporation, pro-choice, drive a fuel-efficient vehicle, and
pro-immigrant. Yet, at our core, we are a despicable people trained to look out
for “number one,” and like a handful of Meyer lemons, we are more concerned
about our welfare than that of others. Imagine the paradigm shift that I
experienced when I saw this complete reversal in Norway when I was able to
spend time there. I constantly compare my brief time there with my lifetime
here. And while I’m sure that Norway has its own kind of culture shock due to
its inherent bureaucracy and insistence on social conformance and enculturation
of immigrants, the underlying spirit of their social contract is present and
palpable.
Enough with myself bitching about lemons…
My second book is coming along with the first draft
complete and being out for feedback among my inner circle for notes. I am
hoping for another set of great comments from my brothers of other mothers Desmond
and Bern. Soon I can start draft two and really dig deep into it.
My daughter Eowyn continues her external gestation.
She’s doing good, and my wife also.
Friday, May 26, 2017
Stress, Work, Baby: Repeat
Usually people look at me when I’m having a panic attack and as me, “why
are you nervous?” And, as I pause between labored breaths, I am drowning like a
fish out of water. I hear that fucking question so many times that I makes me
want to scream, but my collapsed lungs have no air to offer even a whisper.
This all started a few years ago in 2013. I was, before my first episode,
a very productive person. My personality then was very outgoing, very active. I
was a typical “go-getter.” But then the attacks started, and my period of work
dwindled from hours a day to short bursts of maybe 30-45 minutes worth of real
work.
Now I’m a dad. Between my new duty of raising my daughter and writing
my books, I have little time now to pursue my original levels of productivity.
Simply put: I don’t write as much, so you won’t be seeing me posting three
times a week.
But the content is better. I find myself planning my projects with
greater care, investing more time into making my plots flow better. At the risk
of writing without a net (without any idea particular story in mind), I sit on
my posts and shorts, hoping that subsequent attempts will yield a robust result.
This works to a degree. There are stories that circulate over the web about
laboring artists that will agonize over dozens of drafts, which I feel is a waste
of time. My limit is three: first draft attempt, second draft re-write from
notes, and the final third draft where I choose one aspect about my story and
redo it. Taking the extra time to really rack my brain over a concept has
solidified this style I’ve chosen for myself.
Now I’m a dad. It bears repeating. I’m still in shock over the transition.
The presence of this, thing, in my living room that demands my life, my soul, I’ve
never felt this before. My daughter Eowyn cries because she doesn’t understand
the world that she now indwells. It’s not wet or dark, warm and tight.
Everything is so open and vast, an echo chamber that she cries out against and
hears nothing in return. It’s difficult to imagine what it’s like to be a blank
slate.
Stress, work, baby: my new life, some tell me. There is a Mormon that I
work with that insists that my life is over, only using colorful, inoffensive language
extracted from a threadbare flannel board from the mid-80s. I already struggle
with being pessimistic and incorrigible. Insisting that my life is going to
change, bear baiting my dreams and hobbies with the burden of childrearing is
downright nauseating. I knew what I was fucking getting in to when I decided
with my wife that we wanted to have children. It’s not as if I was ignorant of the
changes I was going to face. I welcome this brave new world I have entered, for
better or worse. It’s high time I was forced to get over my depression and anxiety
to serve another. It’s high time I saw myself through the eyes of another. To
see myself carried in the arms of God, crying, lamenting at this hard life I
endure every day. The perspective is awe inspiring. Like most prospective
parents, I am eager to right all the wrongs of my childhood, to be a “cool”
dad. Far more fascinating, in a grim sort of way, will be discovering my own
pretensions that I will impose unfairly. Relying on my daughter to understand
my own faults, that is the gift of parenting.
But one day at a time. Give me, this day, my daily bread. One day at a
time.
I love you Eowyn, my Delightful Charger.
I love you Eowyn, my Delightful Charger.
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